A Brief History of spell#7

spell#7 was founded in 1997 by husband-and-wife team, Paul Rae and Kaylene Tan. The couple met at the University of Bristol in England when they were studying drama. For the first two years of spell#7, Rae and Tan managed all aspects of their performances themselves, from writing and acting, to design and marketing. They even rehearsed in their own living room.

In 1999, they became the first group to be taken on by TheatreWorks as part of its resident-artist scheme. They were given administrative support and, more importantly, access to the old Black Box Theatre at Fort Canning Centre to create work in.

The company relocated to 65 Kerbau Road in Little India in 2002 under the National Arts Council’s Arts Housing Scheme, meaning that they were able to use the space at a heavily subsidised rate.

Over the years, spell#7 became known for staging innovative site-specific promenade theatre pieces – where audiences are free to roam around the set – in unconventional spaces. One notable example is Bud (1999), which took place in various parts of Zouk as part of the Singapore Arts Festival Late Night Series.

spell #7’s works are also often rooted in personal relationships, and they have never been shy to draw inspiration from their own lives. A noteworthy example is their Duets series, which began as a work-in-progress in 2004, when Tan was eight-and-a-half months pregnant with the couple’s first child, Lola. The piece addresses the anxieties that a couple feels when they become parents for the first time, and it was staged as a full play the following year – with six-month-old Lola listed as their dramaturg. As Rae puts it:

As the family eventually grew from two to four – baby number two, Summer, came along three years later – Rae and Tan would revisit the series every few years. This culminated in Family Duet (2013), which is created by and stars members from three generations: the couple, their two young daughters, as well as Rae’s and Tan’s mothers.

The family bid farewell to Singapore in 2014, when they made the move to Australia so that Rae could take up a new post as senior lecturer at the English and Theatre Studies department at the University of Melbourne. spell #7 is currently inactive, and as Rae said when they were planning the big move:

That said, a truncated version of their acclaimed 2006 work, National Language Class – which is inspired by Chua Mia Tee eponymous 1959 painting – was revived at the end of 2015 as an interactive performance art installation for ten days during the opening celebrations of the National Gallery. spell#7 even extended their revival with a full staging of the play the following January in the historic City Hall Chamber.

Published: 9 June 2016