Body Text
Describe yourself in 5 words.
"Saikang Warrior of the Arts", or 'SWOTA' for short.
Why did you join POV2018, and what do you hope to get out of it?
I am especially interested in work that challenge the authority of binaries – including (but not limited to) ‘good or bad’, ‘right or wrong’ and ‘male or female’, just to name a few. We live in an increasingly diverse world where people and things (the arts included) can no longer be definitively categorised. Because of this, my philosophy as an arts practitioner is to not only remain open to change,but be bold enough to delve into unchartered territories and navigate grey areas that tend to be oft-shunned due to fear of failure.
While I primarily work in the theatre scene, I have recently developed an interest in the multidisciplinary as a result of my aforementioned interest in challenging the authority of binaries. The variety of SIFA performances that the POV programme exposes me to will be invaluable in broadening my worldview of the arts. On the one hand, the POV programme will acquaint me with art forms that I may not be familiar with, or even performances that cannot be realistically assigned hard and fast labels like ‘dance’, ‘music’, and ‘theatre’. On the other hand, it will shed light on how these art forms interact with one another to form hybrids that we are subconsciously exposed to, but are not consciously aware of.
As an arts administrator/manager, I am in a position where I have to wear different hats depending on the context(s) I find myself in, and the demands/needs of the projects I am involved with. Even though I do not see myself writing for a living, I am nevertheless confident that the rigour of the POV programme will go a long way in increasing my versatility in working across art forms.
What are you looking forward to most in POV?
Picking the inimitable Corrie Tan's brain, even if it is only for a day or two.