Thinking About Death by Pink Gajah Theatre

By jaclynchong, 6 December, 2021
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A woman is dying.  Her mind shifts in and out of memories and spaces. The world becomes more tactile, a place of passing.

In the interwoven state of memories and time, she recollects a time spent with a monkey.

Playing with ideas of life and death rituals from both the animal kingdom and the human animal of mankind, Thinking About Death is a laboratory that explores a woman who is contemplating death and revisits the memories of a monkey who, for a small part of her life, kept her the most alive.

Thinking About Death was developed under Centre 42's Basement Workshop (now known as the Creation Residency). Read about Basement Workshop here.

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Development Milestones
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October - December 2016
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by Centre 42
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In-Residence at Basement Workshop
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15 - 17 December 2016
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Presented at GNOSSEM
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The first work-in-progress showing of Thinking About Death was presented to an audience at GNOSSEM in December 2016 followed by a post show dialogue after each performance.

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Work-in-Progress Preview
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8 December 2017
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Presented at Rehearsal Studio, Centre 42
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Pink Gajah Magic Lab 2
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9 -11 March 2017
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Presented at rumah gajah
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Pink Gajah Magic Lab 3 titled Alter Egos
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Creation Process
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For this project, Pink Gajah Theatre aims to experiment with text, imagery and sound in a blend of constructed and decontructed rituals from animal and human animal. They hope to achieve a laboratory that is open and daring in entering a world that is primal , practical and mystical. The objective of having a works in progress is part of Pink Gajah Theatre’s new concept named, ‘Pink Gajah Magic Lab’ which platforms new original works paired with various artists from different backgrounds; to create space and workshops for the possibility of new approaches to art making and taking risks with new original ideas from a spectrum of artists.

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Interviews
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Read an interview with the artists Sharda Harrison and Deborah Carmen Hoon below.

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A darkened room except for a light source up front where two actors are positioned against a wall. Four stools are lined up against this wall. Silhouettes of a group of audience can be seen.
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Deborah Carmen Hoon
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Yes
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