Charlene Rajendran

{"thumbnail":"{\"url\":\"https:\\\/\\\/c42-archive-prod-files-acl.s3.ap-southeast-1.amazonaws.com\\\/public\\\/2022-01\\\/Charlene%20Rajendran.jpg?VersionId=4GH1ADsjieO3t6._eFj5BqaXgQJSy4TC\",\"alt\":\"A headshot of Charlene Rajendran wearing a white scarf and glasses, smiling into the camera.\",\"backgroundColor\":null}","body":"[{\"type\":\"long-text\",\"content\":\"\\u003Cp\\u003E\\u003Cstrong\\u003ECHARLENE RAJENDRAN\\u003C\\\/strong\\u003E\\u0026nbsp;is a theatre educator, dramaturg and writer. She has performed, directed and written for the theatre, as well as facilitated theatre workshops and dialogues. More recently she has been dramaturg in interdisciplinary and collaborative arts projects such as\\u0026nbsp;\\u003Cem\\u003EBoth Sides, Now\\u003C\\\/em\\u003E\\u0026nbsp;(Drama Box and ArtsWok, 2013-2018),\\u0026nbsp;\\u003Cem\\u003EGhost Writer\\u0026nbsp;\\u003C\\\/em\\u003E(The Necessary Stage, 2016),\\u0026nbsp;\\u003Cem\\u003EThe Malay Man and His Chinese Father\\u003C\\\/em\\u003E\\u0026nbsp;(Akulah Bimbo Sakti, 2016) and\\u0026nbsp;\\u003Cem\\u003EIt Won\\u2019t Be Too Long: The Cemetery\\u003C\\\/em\\u003E\\u0026nbsp;(Drama Box, Singapore International Festival of Arts 2015).\\u0026nbsp;She also researches contemporary performance, issues of identity and play-based pedagogies.\\u003C\\\/p\\u003E\\r\\n\"}]"}