Robin Loon

{"thumbnail":"{\"url\":\"https:\\\/\\\/c42-archive-prod-files-acl.s3.ap-southeast-1.amazonaws.com\\\/public\\\/2021-06\\\/robinloon.jpg?VersionId=6YBY2oSQsunIFGOa.Cj1sXsCKRLmuisi\",\"alt\":\"A short-haired man in a grey suit and white shirt, wearing glasses. His head is slightly tilted to the left and he is smiling.\",\"backgroundColor\":null}","body":"[{\"type\":\"long-text\",\"content\":\"\\u003Cp\\u003EDr Robin Loon is a playwright, academic, dramaturg and general nosey-parker who has been \\u2018credited\\u2019 with bringing together Michele Lim, Chiu Chien Seen \\u0026amp; Casey Lim to form the TAFY collective.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003ERobin\\u2019s professional play-writing career began as a member of the first Theatreworks\\u2019 Writers\\u2019 Laboratory in 1990. As a playwright, Robin Loon\\u2019s recent works include contributing text to LIFT [TheatreWorks, 2013]. as writer and dramaturg of CASTING BACK [Esplanade\\u2019s 10th Anniversary 2012], as translator \\u0026amp; dramaturg for \\u7537\\u7537\\u81ea\\u8bed [Singapore Arts Festival 2012], as writer \\u0026amp; dramaturg of BLUE PRINCE [The Blue Statemen, 2012], as writer of MATA HATI [Teater Ekamatra, 2011].\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003EApart from play-writing, Robin Loon also consults on many theatre projects as dramaturgs. He was the co-commissioning dramaturg for FULL FRONTAL (2007-2009), a directors\\u2019 incubation platform at the Singapore Arts Festival; and subsequently, he was appointed Commissioning dramaturg for OPEN STUDIO (2010-2012), Singapore Arts Festival Platform for new works. Robin Loon currently teaches the Introduction to Theatre \\u0026amp; Performance module \\u0026amp; modules in Singapore English Language Theatre \\u0026amp; Theatre Criticism at the Theatre Studies Programme, National University of Singapore.\\u003C\\\/p\\u003E\\r\\n\"}]"}