Waiting for Godot (2007)

By XinRuiC42, 13 April, 2023
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Samuel Beckett
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Dave Bond
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Meng Fei
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Zhou Lida
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Xue Bing
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Jin Jing
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Liu Yuan
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Centre Stage Productions Pte Ltd
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There are only (I think) two things that are certain in Waiting for Godot: that time moves on; and that Gogo and Didi are waiting for Godot. Everything else is in dispute.

Vladamir: Time has stopped
Pozzo: Don't you believe it sir, sir, don't you believe it. Whatever you like, but not that.

Are Gogo and Didi in the same place as yesterday? Are their memories of yesterday's events accurate? Are any of their memories accurate? When they look forward is anything planned, anything inevitable, anything to be relied on?

And for all of us, what really is certain? How can we be sure of anything when it is perceived and experienced through our own (somewhat unreliable, I'd say) subjective senses? And if we proceed anyway, if we set out to do things...what is it we should be doing?

Vladamir: What are we doing here, that is the question. And we are blessed with this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come.

There is a great deal of humanity in Godot, and a great deal of inhumanity too. In their behaviour to one another Beckett's 'people' can be both tender and compassionate - yet, at other times - they can also be bitter, cruel, unfeeling, even sadistic. They cry out for comfort, for salvation, whilst clinging to others...despite the obvious shortcomings of their 'saviour'

Estragon: We always find something, eh Didi, to give us the impression we exist.

We have a burning desire to fix things in time and place, to cling to their importance, to cling to each other, to remember, to live and to make plans. We may have faith in God, in mankind... a belief in progress and/or the pursuit of pleasure to sustain us. Perhaps all or none of these things. But, whatever - we continue, we carry on and we wait for...?

Vladamir: I can't go on. What have I said?

I would like to thank my four fine women for giving me the impression that I exist (you certainly do...or at least I think you do! For finding the rhythms, thinking, dancing and keeping faith with me. And to all at NAFA for their companionship, help and trust.

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Playwright: Samuel Beckett
Director: Dave Bond
Producer: Choo Thiam Siew
Executive Producer: Nelson Chia
Production Design Advisor: Hella Chan
Speech and Text Advisor: Zhang Jing
Production Supervisor: Lee Yew Moon
Technical Advisor: Simon Ho
Costume and Props Coord: Wu Xuan
Production Executive: Wang Junzhu

Cast: Meng Fei, Zhou Lida, Xue Bing, Jin Jing, Tan Yan-Lin Tamara

Production Manager: Ye Jiaqi
Stage Manager: Zhao Lu
Lighting Design: James Tan
Costume Design: Hella Chan
Make-up Design & Coordination: Hella Chan
Props Design & Management: Hella Chan
Sound & Music Effect Design: Andrew Jeevan A/L Arokiamsamy
House Manager: Ye Jiaqi
Wardrobe Manager: Leng Tian
Assistant Production Manager: Shi Zihui Shirley
Assistant Stage Manager: Leng Tian
Set Design Assistants: Jefferson Yap Kok Chuan, Wong Mei Kuan June, Michael Riswandi, Nur Farina Bte Sidik
Lighting Assistants: Shao Shuaiqi, Yuan Shuai, Liu Yuan, Ren Liangyi
Publications Designer: Chen Yirun Aaron
Lighting Operator: Shao Shuaiqi
Ticketing: Ye Jiaqi
Sound & Music Effect Operator: Shi Zihui Shirley
Video Assistants: Seah Yu Qing Constance, Chen Yirun Aaron, Jefferson Yap Kok Chuan
Front of House: Rachel Tan, Chen Yirun Aaron, Jefferson Yap Kok Chuan

Set Construction: Centre Stage Productions Pte Ltd

(Source: Nanyang Academy of Fine Arts Programme)

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The programme features the side profile of a female presenting person with interlocking gears in her head. The title "Waiting for Godot" is printed in black Chinese calligraphic font.
Teaser Name
Nanyang Academy of Fine Arts
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