Mary Tay

{"thumbnail":"{\"url\":\"https:\\\/\\\/c42-archive-prod-files-acl.s3.ap-southeast-1.amazonaws.com\\\/public\\\/2022-12\\\/MaryTay_Profile.jpg?VersionId=2OaV8JphM9sP.3EhxFIB.u8pliDgv.gb\",\"alt\":\"Headshot of Mary Tay in a sleeveless black top, smiling.\",\"backgroundColor\":null}","body":"[{\"type\":\"long-text\",\"content\":\"\\u003Cp\\u003EMary Tay is a Singapore-based screenwriter and educator. Her produced writing credits include an audible original pilot \\u003Cem\\u003EHappy Endings\\u003C\\\/em\\u003E for Amazon and short films \\u003Cem\\u003EMan Eater\\u003C\\\/em\\u003E, \\u003Cem\\u003EA Warm Body\\u003C\\\/em\\u003E (Singapore American School) and \\u003Cem\\u003ESunny\\u003C\\\/em\\u003E (Viddsee). Her one-act play \\u003Cem\\u003EThe Zoom Effect \\u003C\\\/em\\u003E(HCAC) and radio play \\u003Cem\\u003EThe Body in the Kitchen\\u003C\\\/em\\u003E were produced in 2019 and 2020 respectively. Mary quit the legal industry in 2014 to pursue a masters in Comparative Literature. Now, she teaches literature by day and writes screenplays by night. She is currently working on her portfolio of feature films, each written through a female lens, and with her own brand of absurdist humour.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003ELast Updated: December 2022\\u003C\\\/p\\u003E\\r\\n\"}]"}