Masashi Nomura

{"thumbnail":"{\"url\":\"https:\\\/\\\/c42-archive-prod-files-acl.s3.ap-southeast-1.amazonaws.com\\\/public\\\/2022-11\\\/MasashiNomura_Profile.png?VersionId=jzPvz1C7JWeqblyuM6vxWHg9IYrRJmmv\",\"alt\":\"Black and white headshot of Masashi Nomura, smiling, wearing glasses and a beanie.\",\"backgroundColor\":null}","body":"[{\"type\":\"long-text\",\"content\":\"\\u003Cp\\u003EMasashi Nomura is a dramaturg and producer. Since 2007, he has been with theatre company Seinendan (founded by Oriza Hirata) at Komaba Agora Theater as its manager\\\/administrator. As a dramaturg, he has worked with on several young artists\\u0027 works. From 2008 to 2015, he has dramaturged for the productions of Sample theatre company, created by director and playwright Shu Matsui. He has also worked as a dramaturg on several productions with Mamagoto theatre company, helmed by Yukio Shiba. With Okazaki Art Theatre, he was a producer on\\u0026nbsp;\\u003Cem\\u003EBlack coffee (not for drinking)\\u003C\\\/em\\u003E\\u0026nbsp;(2013) and a dramaturg on\\u0026nbsp;\\u003Cem\\u003EThe Story of Descending the Long Slopes of Valparaiso\\u0026nbsp;\\u003C\\\/em\\u003E(2017). Both works were nominated for the Kunio Kishida Drama Award.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003EAt the annual Performing Arts Meeting in Yokohama (TPAM), Masashi curated and produced the following performances:\\u0026nbsp;\\u003Cem\\u003ETrojan Women\\u0026nbsp;\\u003C\\\/em\\u003E(2015) by Tadashi Suzuki of SCOT;\\u0026nbsp;\\u003Cem\\u003EHikki Cancun Tornado\\u0026nbsp;\\u003C\\\/em\\u003Eby Hideto Iwai of hi-bye theatre company;\\u0026nbsp;\\u003Cem\\u003EGirl X \\u2013 Japan-Thailand Collaboration\\u0026nbsp;\\u003C\\\/em\\u003E(2015) by Suguru Yamamoto of theatre collective Hanchu Yuei and Thanapol Virulhakul of Democrazy Theatre;\\u0026nbsp;\\u003Cem\\u003EGirl X\\u0026nbsp;\\u003C\\\/em\\u003E(2014) by Suguru Yamamoto of Hanchu Yuei;\\u0026nbsp;\\u003Cem\\u003EComposition: New Philharmonic\\u0026nbsp;\\u003C\\\/em\\u003E(2014) by Shuta Hasunuma;\\u003Cem\\u003E\\u0026nbsp;Time\\u003C\\\/em\\u003E\\u0026nbsp;(2012) by Shuta Hasunuma and Ryota Yamada; and\\u0026nbsp;\\u003Cem\\u003ESayonara\\u0026nbsp;\\u003C\\\/em\\u003E(2011) and\\u0026nbsp;\\u003Cem\\u003EI Worker\\u003C\\\/em\\u003E\\u0026nbsp;(2011) by Oriza Hirata of Seinendan theatre company and the Osaka University Hiroshi Ishiguro lab.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003EMasashi is also the chief program officer of the Okinawa Prefectural Foundation for Cultural Promotion (Okinawa Arts Council). He also works as a lecturer of performing arts management at Obirin University, and is a board member of the Open Network for Performing Arts Management (ON-PAM). He was previously a researcher at the Arts Council Tokyo Arts Academy, and a member of the Asahi Art Square management committee.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003EIn 2016, Masachi was in K\\u00fcnstlerhaus Mousonturm in Frankfurt as part of the Overseas Training Program for young artists, organised by the Agency for Cultural Affairs Japan.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003ELast Updated: 2018\\u003C\\\/p\\u003E\\r\\n\"}]"}