Li Yinan

{"thumbnail":"{\"url\":\"https:\\\/\\\/c42-archive-prod-files-acl.s3.ap-southeast-1.amazonaws.com\\\/public\\\/2022-10\\\/LiYinan_Profile.png?VersionId=r03wAifw79u4GlTUpgcXAcUjevnSBUPd\",\"alt\":\"Black and white headshot of Li Yinan.\",\"backgroundColor\":null}","body":"[{\"type\":\"long-text\",\"content\":\"\\u003Cp\\u003ELi Yinan is Professor for Dramaturgy and Theatre Studies at the Central Academy of Drama of China, Beijing. Since 2009, she has been making efforts to introduce the German concept and working methods of Dramaturgy into China. At the beginning of 2015, she established the Faculty of Dramaturgy and Applied Theatre at the Central Acedemy of Drama and took up its Director position.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003EYinan\\u0027s major dramaturgical work include\\u0026nbsp;\\u003Cem\\u003EYouMou\\u003C\\\/em\\u003E\\u0026nbsp;(2015, Have\\\/Have Not),\\u0026nbsp;\\u003Cem\\u003EAbout the Beautiful New World\\u003C\\\/em\\u003E\\u0026nbsp;(2015),\\u0026nbsp;\\u003Cem\\u003EAbout Disappearance\\u003C\\\/em\\u003E\\u0026nbsp;(2014),\\u0026nbsp;\\u003Cem\\u003EStockholm Syndrome\\u003C\\\/em\\u003E\\u0026nbsp;(2010), and\\u0026nbsp;\\u003Cem\\u003EMiss Special\\u003C\\\/em\\u003E\\u0026nbsp;(2009). She was Chief Dramaturg at the Caochangdi Workstation, Bejing in 2007, and the Resident Dramaturg of Lin Zhaohua Theatre Studio, Beijing, in 2004.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003EYinan is a 2012 recipient of the NCET (the programme for New Century Excellent Talents in university) Fellowship from the Ministry of Education, China.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003ELast Updated: 2016\\u003C\\\/p\\u003E\\r\\n\"}]"}