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{"thumbnail":"{\"url\":\"https:\\\/\\\/c42-archive-prod-files-acl.s3.ap-southeast-1.amazonaws.com\\\/public\\\/2022-10\\\/MarkPritchard_Profile.png?VersionId=N7BOP0vrUtS_ewaG6nwBhEFZX1m1GeC0\",\"alt\":\"Black and white headshot of Mark Pritchard, smiling.\",\"backgroundColor\":null}","body":"[{\"type\":\"long-text\",\"content\":\"\\u003Cp\\u003EMark is a dramaturg, producer and director trained at the VCA (Directing), PACT, and the University of Wollongong (Performance). His practice focuses on new writing, hybrid dramaturgy, and an investigation of ritual, narrative, and mythology in contemporary culture.\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003E\\u003Cspan\\u003EMark is the New Work Manager \\u0026amp; Resident Dramaturg at Malthouse Theatre (2014 \\u2013 current), managing the company\\u0027s new work development, artist development programs, and providing dramaturgical support across the company\\u2019s activities. Recent projects for Malthouse Theatre include:\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EAtomic\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby Amelia Chandos Evans,\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EGoing Down\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby Michele Lee,\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EHeart is a Wasteland\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby John Harvey (Brown Cabs),\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003ELittle Emperors\\u5c0f\\u7687\\u5e1d\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby Lachlan Philpott (AsiaTOPA),\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EEdward II\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby Anthony Weigh,\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003ETurbine\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003C\\\/em\\u003Eby Dan Giovannoni,\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EBlak Cabaret\\u003C\\\/em\\u003Eby Nakkiah Lui (Sydney Festival), and\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003ELove and Information\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby Caryl Churchill.\\u003C\\\/span\\u003E\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003EW\\u003Cspan\\u003Eith his partner Arie Rain Glorie, Mark established the Centre for Dramaturgy and Curation \\u2013 a space for independent research and experimentation in these two connected fields of practice.\\u0026nbsp;\\u003C\\\/span\\u003E\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003E\\u003Cspan\\u003EMark is also coordinator of new writing collective the New Working Group, with whom he has produced\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EAnti-Hamlet\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby Mark Wilson (Theatre Works),\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EGROUND CONTROL\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby Rachel Perks (Next Wave; Brisbane Festival), and\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EDream Home\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby Emilie Collyer (Darebin Arts), and directed\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003ETriumph\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003Eby Louris van de Geer (fortyfivedownstairs). Mark was Co-Director\\\/Dramaturg on\\u003Cem\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003EWael Zuaiter: Unknown\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E(Theatre Works \\u0026amp; Next Wave), and directed Amy Herzog\\u0027s\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003E4000 Miles\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E(Red Stitch Actors Theatre). Mark is co-director of NO SHOW with Bridget Balodis, with whom he has co-created\\u003Cem\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003EThe S\\u00e9ance\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E(LaBoite Indie, Melbourne Fringe),\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EUnfinished Business\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E(You Are Here Festival, Crack Theatre Festival),\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EOutside Line\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E(Pop Up Playground) and\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E\\u003Cem\\u003EShotgun Wedding\\u003C\\\/em\\u003E\\u003Cspan\\u003E\\u0026nbsp;\\u003C\\\/span\\u003E(Next Wave).\\u0026nbsp;\\u003C\\\/span\\u003E\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003E\\u003Cspan\\u003EMark is a recipient of the Mike Walsh Fellowship, a judge for the Green Room Association Awards\\u0027 Independent Theatre Panel, and a participant in the Australia Council\\u0027s Future Leaders Program.\\u003C\\\/span\\u003E\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003ELast Updated: 2019\\u003C\\\/p\\u003E\\r\\n\"}]"}
