Neo Hai Bin

{"thumbnail":"{\"url\":\"https:\\\/\\\/c42-archive-prod-files-acl.s3.ap-southeast-1.amazonaws.com\\\/public\\\/2023-05\\\/NeoHaiBin_Profile.jpeg?VersionId=EVFC2icShPtALIm4VAL5wGRU95LTjsE4\",\"alt\":\"Black and white full-body posed candid shot of Neo Hai Bin, elegantly posed in a chair and glancing to the left, smiling.\",\"backgroundColor\":null}","body":"[{\"type\":\"long-text\",\"content\":\"\\u003Cp\\u003ENeo Hai Bin is a performance maker. He began his theatre debut with Drama Box in 2009, and studied actor\\u2019s training practices with SCOT (Summer intensive 2014, Japan) and SITI Company (Summer Workshop 2019, NYC).\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003EHis literary practice involves research works in social issues and the human condition. He writes scripts, poems, prose, critiques, and short stories, which are mainly published in Lianhe Zaobao. Some of his written plays include \\u003Cem\\u003E\\u62db: When The Cold Wind Blows\\u003C\\\/em\\u003E (Singapore Theatre Festival 2018);\\u003Cem\\u003E Cut Kafka!\\u003C\\\/em\\u003E (Esplanade Huayi Festival Commission 2018); \\u003Cem\\u003EMerdeka \\\/ \\u7368\\u7acb \\\/\\u0b9a\\u0bc1\\u0ba4\\u0ba8\\u0bcd\\u0ba4\\u0bbf\\u0bb0\\u0bae\\u0bcd\\u003C\\\/em\\u003E (Wild Rice, with Alfian Sa\\u2019at, 2019); \\u003Cem\\u003ETanah\\u2022Air \\u6c34\\u2022\\u571f: A Play In Two Parts\\u003C\\\/em\\u003E (Devised with Drama Box, 2019); \\u003Cem\\u003EBeing:\\u606f\\u5728\\u003C\\\/em\\u003E (M1 Fringe Festival 2022).\\u0026nbsp;\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003EHe is part of the theatre reviewers team \\u5287\\u8b80\\uff1athea.preter since 2017. He also co-founded \\u5fae.Wei Collective with lighting designer Liu Yong Huay, creating spatial experiences for participants.\\u0026nbsp;\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003E\\u003Cem\\u003EPhotography by Ric Liu\\u003C\\\/em\\u003E\\u003C\\\/p\\u003E\\r\\n\\r\\n\\u003Cp\\u003ELast Updated: May 2023\\u003C\\\/p\\u003E\\r\\n\"}]"}