godeatgod (2004)

By christine, 23 March, 2022
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Rody Vera
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Eriko Wada
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Hiroko Matsuda
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Sangeetha Dorairaj
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After a sold-out run in August 2002, this year's godeatgod is a reconceptualised version of that original staging, with a new cast including Rody Vera from the Philippines, Eriko Wada from Japan and esteemed local actors Aidli 'Alin' Mosbit and Peter Sau.

A layered and moving exploration of power, sexuality, spirituality and survival in the post-traumatic world, this multi-national, multi-media romp is interwoven with the stories and emotional landscapes of its characters.

Writing in response to 9/11, playwright, Haresh Sharma excavated the tragedies that surfaced - dishonesties, power struggles, corruption and egos - which have made the world an elimination platform dominated by the powerful. Where do we look to for the new moral order?

godeatgod is an intimate, personal and at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief.

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Playwright: Haresh Sharma
Director: Alvin Tan

Set Designer: Vincent Lim
Lighting Designer: Suven Chan
Multimedia Artist: Brian Gothong Tan
Song Composer: Babes Conde
Original Costume Designers: Angelynn Tan, Peter Hong, Ha Sze Sze

Cast: Aidli 'Alin' Mosbit, Peter Sau, Rody Vera, Eriko Wada

Production Manager: Rydwan Anwar
Technical Manager: Patrick Wong
Stage Manager: Lin Shiyun
Rehearsal Stage Manager: Melanie Tan
Assistant Stage Manager/ Lighting Operator: Joanna Goh

Sound Operator: Haresh Sharma
Multimedia Operator: Heryati Ramlan
Surtitle Operator: Kenny Low
Costume Coordinator: Michelle Oh
Crew: Marianne Sim
Japanese Translator: Hiroko Matsuda

Company Manager: Sharon Tang
Resource & Communications Manager: Elaine Foo
Senior Events Executive: Shalini Nair
Events Executive/ Front-of-House Manager: Kwong Lai Fun
Publicity Executive: Joanne Tay
Publicity Intern: Sangeetha Dorairaj
Ticketing Officer: Maya

(Source: The Necessary Stage Programme)

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For more information, please visit tnsarchives.com.

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The programme cover features a female figure with Victorian era make up, a golden ruby-jeweled crown and a suede red scarf extending from the crown. The production title overlays a yellow-red pattern in red text.
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